RAW52 | Carole Zakkour

Posts tagged ‘RAW52’

Pupnatska Luka – Ring a Week continues….

It’s been such a long time since I posted, I almost forgot how to do it, and I am so late with my Ring a Week submissions.
I made these rings a while back in May, when I was thinking about summer and getting away, and all the beautiful beaches where I’ve collected pebbles.

Pupnatska Luka beach is on the island of Korcula in Croatia. It’s in the middle of nowhere really, with beautiful hills all around it.

I collected a bunch of pebbles there, quite different from the flat ones that I usually go for (there weren’t any flat ones either!)
Since I was so behind with my rings, I had to devise a little plan…

RAW52.17: I wanted the ring to look like you just put your hand in the water and some pebbles got stuck on it.

I just love the simplicity. So I decided to make more.

RAW52.18: Here’s a slightly different shape. Still works for me.

And here is a back view where you can see how they are made. I drill a hole in each pebble, then make a “seat” for each one and solder a post in the middle of it. The shank is 1.6mm round Sterling silver. After polishing, I secure the pebbles with epoxy. That’s it.

RAW52.19: Here is another version. I really like the contrast between the light and dark pebbles.

It’s quite lovely when on the hand…

RAW52.20: I also wanted to somehow convey the water, so naturally I went with Turquoise.

I used a bead instead of a cabochon – I didn’t want it to look perfect. Still the same construction, but this time I riveted the stone.

I can keep going on forever! I love making these rings, easy, and each one is different. Plus we have the added bonus of combining them.

RAW52.21: Voilà, instant ring!

All you have to do is wear them together.

and…

RAW52.22: Yes, I’m going there!

I really like this one!

Of course, none of these rings would have happened if it weren’t for Ivana and Erika. Hvala my friends!

4 Variations on a Box

I can’t believe it’s been so long since my last post, but we had spring break and taxes and a social life, so things get put on the back burner for a little while. I worked on my rings during this time, but I didn’t get a chance to photograph or finish them. I started the first one by making a box. I’ve always wanted to make one out of metal, and I was always scared to try it: maybe it would be too hard, maybe I don’t have the precision skills to do it, or maybe it just won’t look good. Well I was wrong!

Burst Ring (52.13) So I started making my first box without much of plan to get me thinking in “box” mode, and by the time I made the first groove in one of the sides I knew exactly what I wanted to make, so I stopped and sketched and planned a bit…I thought it would be a bit boring just having a copper box, just like a cardboard, so instead, I wanted it to be bursting at one corner with jewels spilling out of it.

The box construction is fairly straight forward. You make 2 L-shapes by filing a groove in metal sheet, then bending at 45° angle, then soldering the 2 Ls together and finally soldering the top and bottom – but first flaring the sides of 1 corner a bit to make the box look like it’s bursting. After I finished the ring construction, I set it aside because I didn’t know how to make the “jewels” part and didn’t want to mess it up, so I figured it would “come” to me while I was making the second box ring (that I thought of while making the first box ring – doesn’t it always work that way!)

I wore the ring without jewels for some time, until I finally decided what to do with it.
I crushed up some bad peridot beads, got some cubic zirconia in different colors and epoxyed the whole lot to the ring. That came out really good! Nice box!
Peek Ring (52.14) While I was making the burst ring, I started thinking it was not too subtle. I liked the ring, but felt it was a bit over the top, so I thought to shrink it and make only the lid flared out a bit, just enough for one jewel to be wedged in there. Good idea!

This ring came together super quick. For one I didn’t use as thick a sheet as the first, and I also scaled it down quite a bit (the box measures 8mm as opposed to 15)

I rubbed the box with 320 sandpaper, oxidized it with liver of sulfur, then brushed it again with the sandpaper, but only loosely in vertical and horizontal directions. Selma squealed when she saw the ring, so of course it is now hers!
Escher Ring (52.15) So I got the boxes down. After having successfully made 2 of them, I was feeling confident to make something a bit more complex: A box frame.

I made the whole ring with 2mm Sterling silver square wire. The process was very tedious and time consuming. I had to file the individual pieces of wire very slowly to a fraction of a millimeter, so that the cube would not distort. I think this is the most precise ring I’ve ever made – the cube measures 10mm and would have been a lot harder to make had I used thinner wire, or had I tried to make it any smaller.

The finish is 220 sandpaper in a random pattern. I oxidized the inner surfaces to give it some dimension. Mark said it looks like an Escher drawing – hence the name. I absolutely love love love this ring.
Frame Ring (52.16) Maybe I should call this last ring of the series the “Edit Ring”. It is a combination of the 3 rings so far and is the most minimal of the three. With each ring, I edited the design down to this one. It came out exactly how I imagined and I’m very pleased with it.

It looks really easy and effortless, but isn’t. Working with 1mm Sterling silver wire is not as easy as with thicker wire. I also originally soldered 2 tiny squares on the copper L shape, but didn’t like them, so I took them off, which left solder smudges on the copper (and I liked that a lot!)

I did not want to sand and polish and clean this ring because I thought it looks great as is. It’s a framework, something to build on and grow.

So now I’m all caught up on Ring a Week. I learned a lot and I enjoyed the break. It actually allowed me to develop this box theme and push myself a little bit.

To get a really crisp edge on a box, file the 45° groove down, all the way down until there’s almost no metal left.
Sometimes, taking a distance from work can be really beneficial (we knew that, right?)
My design approach is laid out in this series. I always start with something fancy and grand, and then whittle it down to a simplified form. I really had not realized that before, but it is absolutely true. Good Lesson!

Zoetrope (RAW52.12)

I’m late with last week’s ring because it turned out to be a lot more involved than I thought it would be.

The “Ring a Week” group moderator put out a challenge a few weeks ago to do a kinetic ring. WOW! I figured it had something to do with movement. I had many ideas, but my first was to do a zoetrope, and I kept going back to it. Initially, I wanted to make one of the traditional ones, like this:

Except that I would scale it down for the ring of course. But while I was doing some research to try to figure out how to build the ring, I came across a few videos that completely changed my direction. Here they are:

This is by Jim le Fevre. I think he was the first to come up with the idea of this 3D zoetrope on a turntable running at 45rpm.

The other video was from Tim Wheatley, using a bicycle wheel:

This one nailed it for me. I was hooked, and I really wanted to do a 3D zoetrope ring! Pretty soon you know, it was no longer about the ring, but about the process and trying to figure out how to make it, and how to adapt it to a ring.

I made a test model with a copper disc that could freely spin, but I couldn’t figure out how to make it spin at a constant speed. The whole idea is actually a visual trick that you cannot see with the naked eye. It has to be on a video with a high shutter speed (otherwise you’ll get mostly a blurred effect.) This is when I decided the whole ring had to spin, perhaps on my flex shaft. After a bit of old fashioned trial and error (no fancy math here), it all came together pretty quickly. Here is the ring, stationary:

Mark helped a lot with filming it. We borrowed a friend’s fancy digital video camera and played around with the settings until we got it right. Then I had to get a crash course in iMovie to edit the darn thing (that’s why I was late…) And here is the result, spinning!

This project was so much fun, I can’t wait to try another ring like this, maybe a little fancier. I also learned a million things, here are a few:

I couldn’t get a constant speed with my foot pedal flex shaft, so I stuck the ring in a power drill
Making quality videos takes a lot of practice and patience
Animation is way fun and cool (technically, that’s what this ring ended up being)
I don’t like iMovie!
I couldn’t have done it without Mark (thank you!)

Seed Pods (RAW52.11)

This week, I decided to stay with the hollow forms, although I’m starting to think I should work a bit with gemstones or at least more complex hollow forms. I’ve made versions of this ring in the past, and I quite like the in-between-fingers rings. The ring represents simplified lotus seed pods, and presents another chance to incorporate bronze.

The construction is quite simple: two half spheres topped with varying sizes of bronze balls. A lot of fun to make and no major hitches. Since I’ve made these before, I now know to drill a little cup for each ball to sit in before I solder them on. This way, I don’t end up with runaway bronze balls.

However, I had a big problem with the photography. I usually like to photograph my jewelry against a white background, but no matter what setting or angle I tried, I could not get a decent picture. I finally switched to a dark gray background, and a black duvetyne. That seemed to work much better.

I think it was really difficult to capture the contrast between the silver and bronze colors. No matter, the ring looks gorgeous on the hand.

What did I learn this week?

You have to keep trying until you get a good picture
To get more depth of field, set the ISO higher (thanks Mark!)

See you next week…(and it’s a doozy!)

Pi (RAW52.10)

Been too cool lately? Want to get back in touch with your inner geek? Need to suck up to your math teacher or your kid’s math teacher? Well, have I got the ring for you! March 14 is Pi Day, and what better way to celebrate than with a Pi ring. If Kate Bush can write a song about it, then why not a ring about it?

But more than just celebrating the number, I think it’s fitting because, as jewelers, we use Pi every time we measure a ring shank to cut to an exact size or when we are making any rounded shapes.

This little cutie is made of Sterling silver, finished with very fine steel wool, and measures 12 x 12mm. The shank is oxidized Sterling silver.

Still Life (or the evil cone – RAW52.9)

I really like hollow geometric shapes and I’m trying to learn how to render them in metal. I’ve been wanting to make cone shapes for a while, so here I am this week, practicing how to make a cone. A pointy one. Not a cone with the top cut off – I think that’s called a frustum (what an ugly word!)

Anyway, a real pointy cone. I had no problem with the geometry, and calculating the area to be cut out of the sheet was a snap. I started making it out of 20ga sheet (0.8mm), but soon discovered there was no way on earth I was going to be able to bend that thing into shape, so I switched to 22ga (0.64mm). Well that wasn’t so easy either. I was reluctant to use any thinner sheet because I wanted the shape to hold up when worn as a ring. So I kept going with it. I broke 2 pliers but kept at it until I got some kind of conish shape. I didn’t know what I was doing. Zero. I think I just got lucky and ended up with the shape.

I made the sphere and cylinder to go with my cone (actually so I can hide all the imperfections) and decided to call the ring “Still Life” because it reminded me of a charcoal drawing. The imperfections are barely visible!

I think it turned out pretty good! At first, I had a scratchy finish on it with no oxidation, but I could not take a decent picture of the ring, so I oxidized it and finished with a brass brush and I like it better this way.

It looks fantastic on the finger. I think I’m keeping this one for me.

I still don’t know how to make a proper pointy cone
metal is really hard to bend with precision (duh!)
I’m not turned off by hollow forms yet – so I’ll keep learning about them

See you next week…

Morning Glory (RAW52.8)

A complete departure for me, esthetically and technically. I wanted to try my hand at some fold forming, so I came up with this morning-glory. Made with 26 gauge fine silver, the flower itself was surprisingly easy to make, I just had to keep annealing and hammering until I got the right shape.

The ring shank is forged sterling silver, made to resemble a stem. I set a 6mm London blue Topaz in the flower. I wanted the blue of the topaz to reflect inside the flower, so I set the stone upside down. That was about the hardest part of this ring, but all in all not that hard. I kind of made it up, a cross between a tube and bezel setting.

By the way, this ring is completely UNWEARABLE! The petals are so thin, that I’m sure it will completely disintegrate with the slightest ding. But hey, it was fun to make.

Here is Selma modeling again. It looks lovely on the hand. I could try making it with much thicker silver, but it might be a lot harder. So I’m just leaving it be.

I really enjoyed the fluidity of the fine silver sheet. It was extremely malleable
Very thin silver can tear like a piece of paper!
I liked setting the stone upside down. I don’t usually much care for faceted stones, but I liked the color of this one

Bubbles (RAW52.7)

This week, I decided to make another stacked ring. I’m exploring simple hollow forms and I learned that bubbles (or spheres) are not as easy to make as they look. But I love the process of starting out with a flat disc of metal, then slowly seeing it take shape. I also wanted the ring to look funny.

I decided to texture the metal with a planishing hammer to give it more of a bubble look.

As far as fabrication, the hardest to make was the base bubble (22mm), then they got easier as they got smaller. The smallest (6mm) was also hard to make because it kept slipping out of my fingers. Soldering was definitely a challenge (and I think I’m pretty good at it) – I used a lot of “white-out” to prevent the solder from running after each consecutive step.

It took a lot longer than expected (doesn’t everything!), and to prevent myself from going crazy, I made the ring over several days.

By far the hardest step was soldering the ring shank after all the bubbles, and this is where I think I made a mistake. I should have soldered it on to the base bubble as a first step. Instead, by the time I had all the bubbles on, I had a hard time getting the “clump” to the right temperature, for even the easy solder to flow. But it finally did!

I’m also wondering, design wise, whether I should have had a half bubble on the base. I’m undecided. Maybe I’ll just cut it and see how it looks. Right now, the ring is sitting in an airtight container with a bunch of tobacco, vinegar and ammonia to see if I can get the copper to patina to a blue-green. I’ll find out in a couple of days.

What I learned this week:

Things don’t always end up looking the way you imagined or sketched them
To make a good half sphere, use smaller and smaller punches (in the same doming hole). That will get the sides to close in more so you can move to the next size down
Praying to the soldering gods (plus a lot of white-out) really helps
The more I work with copper, the more I like it

I think I will be laying off the stacked rings for a little while, but I’ll keep playing with the hollow forms.

A Ring for Selma (RAW52.6)

Last week’s ring was very hard for me, and, re-reading my post, I realized that it didn’t seem as much fun as it was or should have been. My post was full of ‘I had to’, and it isn’t really in the spirit of the challenge.

Well this week, it was pure fun. This ring just flowed!

Made entirely of 16 gauge bronze wire, it is simple, elegant, and weighs next to nothing!

I really like how it turned out. The bronze color is stunning, and I gave it a super matte finish with a coarse fiber wheel. Selma loves it. Again, here she is modeling HER ring.

The ring measures 40mm at its widest, but doesn’t look or feel chunky at all. Love. Love. Love!

Happy Valentine’s Day!

RAW52.5 – Everything about this ring was difficult!

One of the reason I joined the Ring a Week challenge was to try to improve my precision. I knew going into it this week that it would not be easy. Three stacked “pillows” made from metal tubing cut at 45° angle. What I didn’t realize was just how difficult it turned out to be. First, I had to make the copper tubing since I didn’t have any on hand. Not a good idea! I don’t have a draw plate or a rolling mill, and the thinnest copper sheet I had on hand was 22 gauge. After what seemed like hours of pounding and bending and huffing and puffing and cursing, I managed to get a “roundish” tube with an open seam.

Next came cutting at 45°. Even though I have a jig to cut the tubing at an angle, I don’t think I’ve ever spent as much time on any step before. I would file down the edges to what looked liked a perfect 45°, try to match it to the next piece of tubing and the next, but somehow I always ended up with a little gap somewhere. Every copper piece had to measure exactly 15 mm long. After more hours of this exercise, I decided whatever I had was good enough. Next I had to repeat the cutting step for the 2 silver elements on top, the middle 10 x 10 mm, and the very top, a whopping 5 x 5 mm. At least this time, I didn’t have to make the tubes. Surprisingly, the smaller the pieces, the easier it was to get a good angle (either that, or I got better at it!) Now I have little cuts all over my fingers from handling all the sharp edges.

Next, I had to solder the individual pillows. Oh my! more hours of futzing and cursing and melting pieces (so I had to go back and cut some more.) I finally got the pillows and ring shank done, and the last step of soldering the stack went without a hitch. I polished the ring with 220 3M bristle discs and spent another couple of hours oxidizing the middle pillow, trying not to smudge the other two (I ended up having to do it with a toothpick.)

The whole process took about a day and a half. I wanted to give up so many times, scrap it and start a new ring. I’m glad I stuck with it – I learned a lot.

making components without the right tools is extremely difficult
tubes can inexplicably explode when heated
always make extra components from the beginning (now I have a stash of little pillows – I’m too tired to think about making something with them)
if I knew how hard things would be, I would never get anything done!

I’m pretty sure next week’s ring will be something very simple…

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